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Fight Club 1999: Jack finds out the truth.

Fincher decided to model the location on this apartment because he claims that whilst he was living there, he always wanted to blow it up.

Director David Fincher shot over 1, reels of film, more than three times the usual amount for a minute film. Filming lasted days, with over scenes shot on locations and 72 sets constructed by production designer Alex McDowell.

Some of fake names used by the narrator in the self-help groups are taken from Planet of the Apes [] Cornelius , as well as classic roles played by Robert De Niro [] such as Rupert from The King of Comedy and Travis from Taxi Driver Make up artist Rob Bottin had to build two different fat suits for Meat Loaf - one with nipples, one without - because the filmmakers weren't sure if 20th Century Fox would approve the suit with the prominent nipples.

Helena Bonham Carter wore platform shoes to help close up the disparity in height between her and Edward Norton and Brad Pitt.

The phrase, "You're the all-singing, all-dancing crap of the world" is inspired by the book "Also Sprach Zarathustra" by the German philosopher Friedrich Nietzsche.

Almost every time Marla Singer or Tyler Durden finish a cigarette they just throw it away dramatically instead of putting it out.

Jim Uhls ' first draft of the screenplay did not feature narration. David Fincher had this swiftly reinstated as he felt much of the humor comes through what the narrator says.

When the Narrator is writing haiku poems at work and sending them to coworkers, the names on the email list include those of Production Assistants and other crew members.

Author Chuck Palahniuk told the producers from the very start that, although he fully supported the adaptation, he wasn't interested in writing the screenplay.

Initially, producer Laura Ziskin considered hiring screenwriter Buck Henry to adapt the novel, due to the many thematic similarities between Fight Club and The Graduate which had been adapted from the novel of the same name by Henry.

However, Jim Uhls was ultimately chosen as the writer ahead of Henry. Fincher refused, saying it would damage the integrity of the film, prompting Milchan to quit the movie.

The famous line 'the first rule of fight club is you do not talk about fight club' is functional both to the plot and to remind any reviewers who had already seen the movie not to ruin the plot twist.

Marla Singer was named after a young girl called Marla who used to beat up Palahniuk's sister in school. In the end when the screen starts melting you can see for a single shot of a picture of a penis.

The term 'Paper Street' refers to a road or street that has been planned by city engineers but has yet to be constructed. A paper street is sometimes published in common street directories by accident, but does not yet exist.

The scene involving the destruction of the corporate artwork where the huge ball crashes into the coffee shop was the most troublesome scene to shoot in the whole film.

Initially, director David Fincher had wanted to the scene to feature an entirely CG ball on live plates, but visual effects supervisor Kevin Tod Haug convinced him to try shooting it as a live special effect instead.

As such, special effects coordinator Cliff Wenger was placed in charge of the scene. Problems began to arise when Wenger discovered that the flooring at the location could only take pounds per square foot.

As such, a lightweight ball pounds had to be built to ensure no damage was caused. However, because the ball was so light, it didn't react the way a heavy ball would; for example, when the ball rolls down the steps, it bounced, when it rolled through the water it left no wake, and when it rolls through the pool, rather than sinking and rolling along the surface, it floated.

As well as that, the ball couldn't gather enough speed. In the end, Wenger was reduced to having two special effects people running alongside, pulling the ball on wires and trying to hold it down so it didn't float on the surface of the water.

There were also problems shooting the scene where the ball crashes through the front of the coffee shop. Wenger had only a 40 foot run up to the front of the shop, but because the ball was 8 feet high, and the ceiling of the area in which they were shooting was 10 feet, it meant the ramp could only rise 2 feet off the ground, leaving virtually no room for the ball to gather momentum prior to smashing into the glass.

In the end, digital effects company Toybox was given the entire scene with orders to do a major cleanup on the live footage. For the rolling shots, they removed the bounces, added furniture which the ball violently knocks out of its way, added pavement cracks in the wake of the ball, added flickering lights, added additional splashes and a wake as the ball moves through the water, and added a digital camera shake.

In the end, although the majority of the actual scene is live photography, almost all of the minor effects in the shots are completely digital.

When The Narrator is beating himself up in his boss's office and throws himself against the bookshelf, the only book title visible on the shelf is 'Anger Kills'.

It's also the same car he and Tyler crash later in the film. Additionally, Tyler says he'd like to fight Abraham Lincoln, whom the carmaker is named after.

When the film stock was processed, several techniques were applied to alter the look of the footage and increase the 'grubbiness' of the image.

Under the supervision of director David Fincher and director of photography Jeff Cronenweth , the contrast was stretched, the print was underexposed, re-silvering was used to increase density, and high-contrast print stocks were stepped on the print to create a layer of 'dirt', which Fincher likens to a "dirty patina.

There's a briefly extended scene shown on the premium cable channels that's not on the DVD copy of the film. When the Narrator goes to Marla Singer's apartment to check her for breast cancer, Marla's breast is shown out of her shirt for a moment.

In the scene where Tyler and the Narrator go to the liposuction clinic to collect fat for their soap, they hide behind a dumpster with a sign that reads 'Infectious Human Waste'.

Earlier, Marla refers to herself as 'Infectious Human Waste' to the emergency services respondents. Larry Flynt At the same time, Norton had either been offered or was a final contender for three other major leading roles: in The Talented Mr.

Ripley , Man on the Moon , and Runaway Jury a project which ultimately fell apart. Norton eventually accepted the role in Fight Club.

He and Jim Carrey did so well in auditions for the Andy Kaufman role in Man on the Moon that director Milos Forman told Universal he could not choose between them and the studio would have to make the final choice; they chose Carrey because he was a bigger box-office draw than Norton.

Matt Damon took the lead role in The Talented Mr. Ripley, and Runaway Jury was put on hold for years until being revived with John Cusack as the lead.

Seven Years in Tibet starring Brad Pitt is visible, although the sign letters actually say "Seven Year In Tibe" as if the theater didn't have the required letters.

Other marquees in the far background, and not visible reportedly said The People vs. According to Brad Pitt from the commentary , during the scene where Edward Norton is in a hotel watching a Welcome video, Brad Pitt plays one of the staff members on the screen.

In Chuck Palahniuk's novel Fight Club. Chuck claims coining the term 'snowflake' to describe a generation that is easily offended by opposing world views.

Stemming from the line "you are not a beautiful and unique snowflake". Marla Singer says she goes to support groups because "It's cheaper than a movie, and there's free coffee".

In Margaret's Museum also starring Helena Bonham Carter , Kate Nelligan says she goes to funerals because it's cheaper than bingo, and there's free food.

When Tyler and the Narrator meet at the bar, the conversation topic lands on "consumers. Parts of it can also be seen as the Narrator and Bob talk.

The scene where Tyler Brad Pitt splicing the few frames of a penis into a family film shown in the theater is a reference to Persona , where in the beginning, a few random images are shown into a projected film, including that of an erect penis.

In the 10th Anniversary edition of the movie, you can actually see a similar frame inserted after the final explosion scene.

Every other member is of an African or Latin racial background. This disease primarily affects people of African, Mediterranean, Middle Eastern or South Asian background, hence a further statement on their need to "crash" these meetings.

The typeface used for the titles and logo is named "Fight This". The 'soap slam on dish' shot used in the trailer took 41 takes to get right.

After the 40th take, director David Fincher realized that the soap was sliding out of frame and so he settled for a fake soap prop.

The dots indicating reel changes on a film print have never actually been known in the business as "cigarette burns" - this was made up by Chuck Palahniuk for the book, and it was carried over into the script.

After the movie was released, people began to believe it was true. In , the film was named the 10th greatest movie of all time by Empire magazine in its issue of The Greatest Movies of All Time.

Three directors were offered the film prior to David Fincher. The second choice for director was Bryan Singer , who was sent the book, but who never got back to the producers he later admitted he didn't read the novel when he received it.

Next to be offered the job was British director Danny Boyle , who met with Donen and Bell, read the book, and loved the material, but who ultimately decided to concentrate on The Beach instead.

The producers then turned to David Fincher , who was in post-production on The Game Donen and Bell had been impressed with Fincher's work on Se7en , and thought he could bring something unique to the project.

The Blu-Ray edition of the film released in November contains another "in-joke" reference to Barrymore; a fake menu for the film Never Been Kissed , which was released the same year as this film.

When going to the convenience store where Raymond K. Hessel works, Tyler gets the gun out of the Narrator's bag. The Narrator obviously didn't know the gun was there, indicated by his astonishment "Is that a gun?

The Narrator's name is not Jack, rather Sebastian. His name is revealed in the second novel Fight Club 2, written by Chuck Palahnuik.

In conjunction with director David Fincher , first time director of photography Jeff Cronenweth decided to shoot the film using spherical lenses instead of the more common anamorphic lenses.

This was primarily because many scenes were to be shot on practical locations using practical lighting, which wouldn't provide enough luminosity for an anamorphic lens to capture the image anamorphic lenses require more light than spherical lenses for correct exposure.

The disadvantage of shooting with spherical lenses is that the negative has to be blown up for the extraction process unlike an anamorphic negative , meaning that the final print has a grainier texture than that shot using anamorphic.

However, both Fincher and Cronenweth felt that this extra grain actually suited the tone of the film, and no attempts were made to clean it up or reduce it in the post-production process.

She felt it was a tremendous piece of literature, but not necessarily a great movie. The book was sent to a 20th Century Fox studio reader to evaluate its potential as a possible film, and the report sent back to Ziskin slammed the novel, saying it could never be made into a film, that it was "exceedingly disturbing", "volatile and dangerous", and would "make audiences squirm".

Despite this however, Ziskin decided to go ahead with the project temporarily and began to look around for producers who might be willing to take it on.

It was first offered to Lawrence Bender and Art Linson , but they turned it down although Linson would ultimately return as producer.

They both loved it and immediately agreed to produce it. Bell has since stated that the highly critical report from the studio reader was all he needed to make him want to work on the film, feeling every reason that the reader gave for why the film couldn't be made, was another reason to make it.

Donen and Bell immediately organized a read-through of the book with some actors, who performed a roughly scripted version of the novel over the course of a six-hour session, and he sent recordings of the session to the still wavering Ziskin.

The front of the product packaging for "Avery Matte White High-Visibility Labels for Inkjet Printers" shows a sample usage of the label on a shipping package.

The address on this label is, "Tyler Durden Paper St. Wilmington, DE". In the scene where The Narrator discovers Project Mayhem from the news report, the show calls the building that was vandalised by them, the "Parker-Morris Building".

In the book, this is the name of the sole building that Tyler Durden intends to destroy. Further, David Andrews who plays the testicular cancer support group members whose ex-wife had a child with her new husband appeared in Terminator 3: Rise of the Machines as Robert Brewster; Kate Brewster's father and worked for a company called CRS.

Rosie O'Donnell did not like the film upon viewing it. She saw it before it's theatrical release date.

As a result of her dislike she devulged the plot twist to millions of her viewers, on live television, and told them not to see the film.

Brad Pitt called what she did "Unforgivable. David Fincher initially pursued Radiohead to provide the music for the film.

The only remaining pink and white giant "fat soap" prop appox. After a sex session with Tyler, Marla says she "hasn't been fucked like that since grade school".

She was quite shocked by this. As filming progressed, Edward Norton deliberately lost weight and slept less, while Brad Pitt indulged in tanning bed sessions.

According to Variety magazine, Sarah Michelle Gellar was approached for the role of Marla Singer, but due to a locked contract with Buffy the Vampire Slayer , she couldn't get the part.

David Fincher turned down an offer to direct 8MM due to his commitment to directing this film. In the original cut of the film, several specific brands were referenced.

Besides the coffee bar originally a Starbucks Coffee and the video store originally a Blockbuster Video at the receiving end of Project Mayhem, the Narrator clearly referenced Reader's Digest later changed to the fictional magazine "The Annotated Reader" and specifically referred to the Reader's Digest stories about Joe's body that were written by J.

These product placements were removed at the request of these companies, whose executives did not want such product placements in light of the film's content.

This entailed re-recording the Narrator's dialogue to change the character's anatomical references from "Joe" to "Jack. Rupert Murdoch despised the project and clashed with then-studio head Bill Mechanic over putting it into production.

The film's disappointing box office returns relative to cost were a major reason for Mechanic's departure from this job not long after its release.

The film received an infamous media reaction in Brazil due to a mall shooting that took place in 3 November, , when young medicine student Mateus da Costa Meira used a submachine gun inside of a theater, killing three people and injuring several others.

The film exhibited in question was Fight Club and many media outlets that didn't even had a clue what was the real intent of the film started to criticize its content.

In a interview, body double actress Laura Grady talked about doubling for Helena Bonham Carter's in the sex scene. It was just incredible.

There was so much work on that set; it was literally two weeks of just these scenes in bed! You cannot be shy. There was also a body double for Brad Pitt, so we spent two weeks with David Fincher on a set and green-screen, just reenacting all of those sex scenes.

I did see Brad Pitt and Helena Bonham Carter throughout the day, but they were never in my scenes -- the body doubles did their thing, and then Brad and Helena did their thing.

So I never got to interact with Brad, unfortunately. David Fincher is just a master genius. He took so much time with us.

He really, really cared about how we looked. And all those scenes -- it was the most intricate sex scene I've ever done in my life. And it was pretty hard-core.

We were all over each other, me and the body double. He wanted us to choreograph it, like a dance. He would come up with these phrases to give you ideas of what he wanted, like, 'You're in molasses,' or 'You're in water, it's streaming.

Meat Loaf wore a 90 pound fat harness to give him "bitch tits". This song is very often played by businesses when they put callers on hold.

It is not listed on the soundtrack. Although many believe it is ''Jack'', the name of Edward Norton's character in Fight Club is never mentioned a single time.

Body Count: Chuck Palahniuk has often been credited with coining the metaphorical use of snowflake in his novel Fight Club. Fight Club contains the quote: "you are not special, you are not a beautiful and unique snowflake.

Brad Pitt was eager to take on the project after his previous film, Meet Joe Black , had tanked at the box office.

The shot surveying Project Mayhem's destructive equipment lying in underground parking lots was a three-dimensional composition of over photographs of Los Angeles and Century City by special effects photographer Michael Douglas Middleton.

Janeane Garofalo claims she was offered the part of Marla, but it was rescinded because Edward Norton wouldn't agree to the casting, claiming she "didn't have the chops to do it".

Much like Tyler Durden, David Fincher worked as a projectionist as an extra job in his youth. The telephone number of the Paper Street Soap Company as printed on the phone the Narrator uses to call the "" office building near the end of the movie is Richard Chesler's Zach Grenier business card shows a phone number of At the time of the film's release, area code was "reserved for future use".

David Fincher and Brad Pitt 's second film together. However in the next shot, Tyler quite deliberately gives the female flight attendant who bends in front of him, "The Crotch" instead.

David Fincher sought out Radiohead to provide the music score but Thom Yorke was suffering from exhaustion following the promotion of the band's album, "OK Computer".

Later at [] a smiley face burning into a building is shown on the TV news while members of project mayhem watch on TV in the house.

When Tyler Durden leaves the airport following the flight on which the Narrator first meets him, he gets into his car and drives away. A man can be seen in the background running after the car as if it was just stolen.

Angel Face's name is never said during the film. The workprint for this film ran about minutes. David Fincher 's first film with cinematographer Jeff Cronenweth.

First screenplay written by Jim Uhls. The apartment building's slogan in the movie is "A Place to be Somebody" while the actual apartment building's slogan is "A City in a City".

Charlton Heston 's character Robert Neville ran into the middle of that same stretch of road to yell "There is no phone ringing, damn it!

Brian Tochi appears in both movies. A "paper street", as in Paper Street Soap Company, is a street that exists only on maps and planning documents and is never actually built.

This is usually because of a change in city plans or a lack of funding for new roads. In the shot where we see Tyler Durden's business card just before The Narrator calls him , The Narrator's thumb is hiding the 6th digit.

All we are able to see is Also, the email address shown on the card is FMCRec telnex. Telnex is also the name of the company that made the payphone that the narrator used to talk to Tyler Durden.

Over the course of a year, David Fincher and screenwriter Jim Uhls worked on five separate drafts of the screenplay.

He is referring to Lorena Bobbitt. Anna Friel auditioned for the part of Marla. Near the beginning of the film, a poster for the band can be seen behind The Narrator's head, in the pawn shop scene with Marla.

Marla calls the narrator for the first time at the abandoned house he and Tyler live in. But the narrator and Marla exchanged numbers before his apartment got blown up and they hadn't talked or seen each other since.

When he asked how she got the number, she said "you gave me your forwarding number. This same commercial is shown in Joy Ride Both movies also had Rachel Singer.

Priyom Haider shot and reproduced the "Chemical Burn" scene as one of his first acting projects. Edward Norton's character is billed as "The Narrator.

And, if you pay attention throughout the film, Norton's character will say lines that start with "I am Jack's--" and so on. This may further prove that point.

Eight stars from this film also appear in eleven episodes of Monk Matt Winston appears in Monk: Mr. Monk and the Sleeping Suspect 2.

Monk and the Three Pies 2. Monk Meets the Godfather 3. Monk and the Other Detective 4. Monk Goes to a Wedding 4.

Both men and women begged author Chuck Palahniuk to show them where they could find real fight clubs to join. Chuck Palahniuk told Premiere Magazine in that people would come up to him at book signings and beg him to tell them of real locations for fight clubs.

Palahniuk remarked, "You'd be really surprised at the number of women. As the interview notes, although Palahniuk had heard rumors of actual fight clubs existing in places such as New Jersey and London, the author wouldn't give these hopefuls any useful information.

Palahniuk explained, "I'll be like, 'No, it's made up; it's fake. Image: Chuck Palahniuk Facebook. The sex scene was modeled after Mt.

Rushmore "fucking the Statue of Liberty. Visual effects supervisor Kevin Haug gave a special commentary about the movie's sex sequence where he talked about how CGI was used to create the action.

Haug remembered director David Fincher explaining one position: "I think David said it was as though one of the statues from Mt.

Rushmore was fucking the Statue of Liberty. I remember Brad coming in at one point and saying he wanted to see a pile of pornography so he could pick positions out of that.

But basically, pornography was boring in terms of like, different positions. They're all the same positions. We actually pulled positions out of the Kama Sutra.

The other actor in the sex scene, Helena Bonham Carter, said that filming all the positions really wasn't as sexy as it appeared on camera.

Marla's breasts in the film are even just CGI. Her original interview with The Mirror seems to be lost, but at the time Salon aggregated a quote by Carter from the interview where she said: "Brad had white dots all over his body On the count of three we had to, ah, orgasm.

I spent so many days coming in and basically doing voice-off orgasm sounds on this film. The first time was a bit embarrassing, but I got used to it.

And David [Fincher] would say, 'And roll. And Edward: Act. And Helena: Orgasm. But I think I got that technique down. That was one major thing I learned on this film: faking orgasms repeatedly.

Brad Pitt's stomach was so strong at the time that Edward Norton cracked his thumb. In the interview with Premiere magazine, Edward Norton and Brad Pitt joked about the various fighting they had to do onscreen and how sometimes the moves couldn't really be faked.

Norton specifically recalled, "I cracked my thumb on Brad one time, on his stomach. The author of the Premiere article, Johanna Schneller, wrote as an aside: " This is too good to be true.

Have you seen Pitt's stomach? Further in this discussion about fighting, Norton recalled, "We both caught knees in the chest. Cracked ribs. Just had the wind knocked out.

Auntie Godmother's is a Californian boutique soap company that was founded in On a Facebook post about a farmer market back in , Townsend commented about her business, "We are professional soap makers and made all the soaps for the movie 'Fight Club.

Tyler Durden and Marla are actually based off real people. Chuck Palahniuk wrote six of his friends into the story. Johanna Schneller wrote in the Premiere profile about the Tyler from the real world: "'Tyler' is a carpenter with a penchant for trespassing; he leads forays into condemned buildings to salvage marble and fixtures.

Palahniuk is quoted as saying that his friend Tyler is "one of those neo-romantic people who think if the Y2K bug happens, we'll all be better off.

The friend that provided inspiration for Marla apparently had a wish back before Palahniuk was an acclaimed author, that if he ever got famous then he'd take her to meet Brad Pitt.

Years later, Brad Pitt was cast in this movie and Palahniuk was able to bring all six of his friends that inspired characters to the set.

He recalled, "So I was able to say, 'Tyler, this is Tyler'; 'Marla, this is Marla,' and everyone was really fascinated by one another. In a interview with TOR , Palahniuk further described what his friends Tyler and Marla look like in real life while explaining the basis for "new looks" the characters will have in the forthcoming sequel.

Tyler apparently has "shoulder-length-Jesus blond hair" and Marla isn't "very much like Helena Bonham Carter's character.

Art by Carlos Martz. David Fincher said the movie's lighting is based on being inside a 7-Eleven in the middle of the night.

David Fincher gave an in depth description to Film Comment in , about what inspirations went into creating the "Fight Club" look, most of which involved making things dirtier.

One popular convenience store was specifically named by the director:. We didn't want to be afraid of color, we wanted to control the color palette.

You go into 7-Eleven in the middle of the night and there's all that green-fluorescent. And like what green light does to cellophane packages, we wanted to make people sort of shiny.

There's a good chance Leonardo DiCaprio's dying breaths from "Titanic" were reused for the ice cave scene.

It is unclear whether Leonardo DiCaprio's breath is exactly what was used in the ice cave scene. That said, this Cinefex article did explicitly say "existing breath elements" from "Titanic" were used in "Fight Club" however and digital artist John Siczewicz is quoted as saying:.

After starting with those existing breath elements [from "Titanic"] we cut and pasted and dissolved until we had some animated breath that worked with the wind action within this ice tunnel.

Since either the camera or the actor was in motion for all of these shots, I had to track in the origin point for each breath. Once these swirly breaths blended in, the whole scene dropped sixty degrees.

In a interview with Film Comment , David Fincher explained how his movie relates to the pursuit of Mrs. It was talking about that moment in time when you have this world of possibilities, all these expectations, and you don't know who it is you're supposed to be.

And you choose this one path, Mrs. Robinson, and it turns out to be bleak, but it's part of your initiation, your trial by fire.

And then, by choosing the wrong path, you find your way onto the right path, but you've created this mess. And going along with that, the two saw "Fight Club" as a Buddhist movie.

In a Premiere profile from , Norton talks about how he thinks his character's trajectory is grounded in Buddhism:. In Buddhism there's Nirvana, and then there's Samsara, the world of confusion and disharmony.

That world is our testing ground, where we have the experiences that help us become enlightened. I'm not saying "Fight Club" is The Book of Living and Dying , but it was kind of that idea: You're challenging yourself to break out of the world.

Embed Size px. The book was sent Wife with lesbian a 20th Century Fox Humilitation videos reader to evaluate its potential as a possible film, and the report sent back to Ziskin slammed the novel, saying it could never be Baixar filmes no utorrente into a film, that it was "exceedingly disturbing", "volatile and dangerous", and would "make audiences squirm". Further, David Andrews who plays the testicular cancer support group members whose ex-wife had Leïla bekhti nude child with her new husband appeared in Terminator 3: Rise of the Machines as Robert Brewster; Kate Brewster's father and worked for a company called CRS. When the narrator opens his fridge he has Mendocino mustard in the door. In the end, although the majority of the actual scene is live photography, almost all of the minor effects in the shots are completely digital. Tyler Durden appears in the film five times before we Mom rapes daughter porn see him on the moving walkway at the airport. A "paper street", as in Paper Street Soap Company, is a Toronto asian girl that exists only on Sexy toes and planning documents and is never actually built. The Searchbigtits.com seen in the finished film is the replacement actor.

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As well as that, the ball couldn't gather enough speed. In the end, Wenger was reduced to having two special effects people running alongside, pulling the ball on wires and trying to hold it down so it didn't float on the surface of the water.

There were also problems shooting the scene where the ball crashes through the front of the coffee shop. Wenger had only a 40 foot run up to the front of the shop, but because the ball was 8 feet high, and the ceiling of the area in which they were shooting was 10 feet, it meant the ramp could only rise 2 feet off the ground, leaving virtually no room for the ball to gather momentum prior to smashing into the glass.

In the end, digital effects company Toybox was given the entire scene with orders to do a major cleanup on the live footage.

For the rolling shots, they removed the bounces, added furniture which the ball violently knocks out of its way, added pavement cracks in the wake of the ball, added flickering lights, added additional splashes and a wake as the ball moves through the water, and added a digital camera shake.

In the end, although the majority of the actual scene is live photography, almost all of the minor effects in the shots are completely digital.

When The Narrator is beating himself up in his boss's office and throws himself against the bookshelf, the only book title visible on the shelf is 'Anger Kills'.

It's also the same car he and Tyler crash later in the film. Additionally, Tyler says he'd like to fight Abraham Lincoln, whom the carmaker is named after.

When the film stock was processed, several techniques were applied to alter the look of the footage and increase the 'grubbiness' of the image.

Under the supervision of director David Fincher and director of photography Jeff Cronenweth , the contrast was stretched, the print was underexposed, re-silvering was used to increase density, and high-contrast print stocks were stepped on the print to create a layer of 'dirt', which Fincher likens to a "dirty patina.

There's a briefly extended scene shown on the premium cable channels that's not on the DVD copy of the film.

When the Narrator goes to Marla Singer's apartment to check her for breast cancer, Marla's breast is shown out of her shirt for a moment. In the scene where Tyler and the Narrator go to the liposuction clinic to collect fat for their soap, they hide behind a dumpster with a sign that reads 'Infectious Human Waste'.

Earlier, Marla refers to herself as 'Infectious Human Waste' to the emergency services respondents. Larry Flynt At the same time, Norton had either been offered or was a final contender for three other major leading roles: in The Talented Mr.

Ripley , Man on the Moon , and Runaway Jury a project which ultimately fell apart. Norton eventually accepted the role in Fight Club. He and Jim Carrey did so well in auditions for the Andy Kaufman role in Man on the Moon that director Milos Forman told Universal he could not choose between them and the studio would have to make the final choice; they chose Carrey because he was a bigger box-office draw than Norton.

Matt Damon took the lead role in The Talented Mr. Ripley, and Runaway Jury was put on hold for years until being revived with John Cusack as the lead.

Seven Years in Tibet starring Brad Pitt is visible, although the sign letters actually say "Seven Year In Tibe" as if the theater didn't have the required letters.

Other marquees in the far background, and not visible reportedly said The People vs. According to Brad Pitt from the commentary , during the scene where Edward Norton is in a hotel watching a Welcome video, Brad Pitt plays one of the staff members on the screen.

In Chuck Palahniuk's novel Fight Club. Chuck claims coining the term 'snowflake' to describe a generation that is easily offended by opposing world views.

Stemming from the line "you are not a beautiful and unique snowflake". Marla Singer says she goes to support groups because "It's cheaper than a movie, and there's free coffee".

In Margaret's Museum also starring Helena Bonham Carter , Kate Nelligan says she goes to funerals because it's cheaper than bingo, and there's free food.

When Tyler and the Narrator meet at the bar, the conversation topic lands on "consumers. Parts of it can also be seen as the Narrator and Bob talk.

The scene where Tyler Brad Pitt splicing the few frames of a penis into a family film shown in the theater is a reference to Persona , where in the beginning, a few random images are shown into a projected film, including that of an erect penis.

In the 10th Anniversary edition of the movie, you can actually see a similar frame inserted after the final explosion scene.

Every other member is of an African or Latin racial background. This disease primarily affects people of African, Mediterranean, Middle Eastern or South Asian background, hence a further statement on their need to "crash" these meetings.

The typeface used for the titles and logo is named "Fight This". The 'soap slam on dish' shot used in the trailer took 41 takes to get right. After the 40th take, director David Fincher realized that the soap was sliding out of frame and so he settled for a fake soap prop.

The dots indicating reel changes on a film print have never actually been known in the business as "cigarette burns" - this was made up by Chuck Palahniuk for the book, and it was carried over into the script.

After the movie was released, people began to believe it was true. In , the film was named the 10th greatest movie of all time by Empire magazine in its issue of The Greatest Movies of All Time.

Three directors were offered the film prior to David Fincher. The second choice for director was Bryan Singer , who was sent the book, but who never got back to the producers he later admitted he didn't read the novel when he received it.

Next to be offered the job was British director Danny Boyle , who met with Donen and Bell, read the book, and loved the material, but who ultimately decided to concentrate on The Beach instead.

The producers then turned to David Fincher , who was in post-production on The Game Donen and Bell had been impressed with Fincher's work on Se7en , and thought he could bring something unique to the project.

The Blu-Ray edition of the film released in November contains another "in-joke" reference to Barrymore; a fake menu for the film Never Been Kissed , which was released the same year as this film.

When going to the convenience store where Raymond K. Hessel works, Tyler gets the gun out of the Narrator's bag. The Narrator obviously didn't know the gun was there, indicated by his astonishment "Is that a gun?

The Narrator's name is not Jack, rather Sebastian. His name is revealed in the second novel Fight Club 2, written by Chuck Palahnuik. In conjunction with director David Fincher , first time director of photography Jeff Cronenweth decided to shoot the film using spherical lenses instead of the more common anamorphic lenses.

This was primarily because many scenes were to be shot on practical locations using practical lighting, which wouldn't provide enough luminosity for an anamorphic lens to capture the image anamorphic lenses require more light than spherical lenses for correct exposure.

The disadvantage of shooting with spherical lenses is that the negative has to be blown up for the extraction process unlike an anamorphic negative , meaning that the final print has a grainier texture than that shot using anamorphic.

However, both Fincher and Cronenweth felt that this extra grain actually suited the tone of the film, and no attempts were made to clean it up or reduce it in the post-production process.

She felt it was a tremendous piece of literature, but not necessarily a great movie. The book was sent to a 20th Century Fox studio reader to evaluate its potential as a possible film, and the report sent back to Ziskin slammed the novel, saying it could never be made into a film, that it was "exceedingly disturbing", "volatile and dangerous", and would "make audiences squirm".

Despite this however, Ziskin decided to go ahead with the project temporarily and began to look around for producers who might be willing to take it on.

It was first offered to Lawrence Bender and Art Linson , but they turned it down although Linson would ultimately return as producer.

They both loved it and immediately agreed to produce it. Bell has since stated that the highly critical report from the studio reader was all he needed to make him want to work on the film, feeling every reason that the reader gave for why the film couldn't be made, was another reason to make it.

Donen and Bell immediately organized a read-through of the book with some actors, who performed a roughly scripted version of the novel over the course of a six-hour session, and he sent recordings of the session to the still wavering Ziskin.

The front of the product packaging for "Avery Matte White High-Visibility Labels for Inkjet Printers" shows a sample usage of the label on a shipping package.

The address on this label is, "Tyler Durden Paper St. Wilmington, DE". In the scene where The Narrator discovers Project Mayhem from the news report, the show calls the building that was vandalised by them, the "Parker-Morris Building".

In the book, this is the name of the sole building that Tyler Durden intends to destroy. Further, David Andrews who plays the testicular cancer support group members whose ex-wife had a child with her new husband appeared in Terminator 3: Rise of the Machines as Robert Brewster; Kate Brewster's father and worked for a company called CRS.

Rosie O'Donnell did not like the film upon viewing it. She saw it before it's theatrical release date. As a result of her dislike she devulged the plot twist to millions of her viewers, on live television, and told them not to see the film.

Brad Pitt called what she did "Unforgivable. David Fincher initially pursued Radiohead to provide the music for the film.

The only remaining pink and white giant "fat soap" prop appox. After a sex session with Tyler, Marla says she "hasn't been fucked like that since grade school".

She was quite shocked by this. As filming progressed, Edward Norton deliberately lost weight and slept less, while Brad Pitt indulged in tanning bed sessions.

According to Variety magazine, Sarah Michelle Gellar was approached for the role of Marla Singer, but due to a locked contract with Buffy the Vampire Slayer , she couldn't get the part.

David Fincher turned down an offer to direct 8MM due to his commitment to directing this film. In the original cut of the film, several specific brands were referenced.

Besides the coffee bar originally a Starbucks Coffee and the video store originally a Blockbuster Video at the receiving end of Project Mayhem, the Narrator clearly referenced Reader's Digest later changed to the fictional magazine "The Annotated Reader" and specifically referred to the Reader's Digest stories about Joe's body that were written by J.

These product placements were removed at the request of these companies, whose executives did not want such product placements in light of the film's content.

This entailed re-recording the Narrator's dialogue to change the character's anatomical references from "Joe" to "Jack. Rupert Murdoch despised the project and clashed with then-studio head Bill Mechanic over putting it into production.

The film's disappointing box office returns relative to cost were a major reason for Mechanic's departure from this job not long after its release.

The film received an infamous media reaction in Brazil due to a mall shooting that took place in 3 November, , when young medicine student Mateus da Costa Meira used a submachine gun inside of a theater, killing three people and injuring several others.

The film exhibited in question was Fight Club and many media outlets that didn't even had a clue what was the real intent of the film started to criticize its content.

In a interview, body double actress Laura Grady talked about doubling for Helena Bonham Carter's in the sex scene. It was just incredible. There was so much work on that set; it was literally two weeks of just these scenes in bed!

You cannot be shy. There was also a body double for Brad Pitt, so we spent two weeks with David Fincher on a set and green-screen, just reenacting all of those sex scenes.

I did see Brad Pitt and Helena Bonham Carter throughout the day, but they were never in my scenes -- the body doubles did their thing, and then Brad and Helena did their thing.

So I never got to interact with Brad, unfortunately. David Fincher is just a master genius. He took so much time with us. He really, really cared about how we looked.

And all those scenes -- it was the most intricate sex scene I've ever done in my life. And it was pretty hard-core. We were all over each other, me and the body double.

He wanted us to choreograph it, like a dance. He would come up with these phrases to give you ideas of what he wanted, like, 'You're in molasses,' or 'You're in water, it's streaming.

Meat Loaf wore a 90 pound fat harness to give him "bitch tits". This song is very often played by businesses when they put callers on hold.

It is not listed on the soundtrack. Although many believe it is ''Jack'', the name of Edward Norton's character in Fight Club is never mentioned a single time.

Body Count: Chuck Palahniuk has often been credited with coining the metaphorical use of snowflake in his novel Fight Club. Fight Club contains the quote: "you are not special, you are not a beautiful and unique snowflake.

Brad Pitt was eager to take on the project after his previous film, Meet Joe Black , had tanked at the box office. The shot surveying Project Mayhem's destructive equipment lying in underground parking lots was a three-dimensional composition of over photographs of Los Angeles and Century City by special effects photographer Michael Douglas Middleton.

Janeane Garofalo claims she was offered the part of Marla, but it was rescinded because Edward Norton wouldn't agree to the casting, claiming she "didn't have the chops to do it".

Much like Tyler Durden, David Fincher worked as a projectionist as an extra job in his youth. The telephone number of the Paper Street Soap Company as printed on the phone the Narrator uses to call the "" office building near the end of the movie is Richard Chesler's Zach Grenier business card shows a phone number of At the time of the film's release, area code was "reserved for future use".

David Fincher and Brad Pitt 's second film together. However in the next shot, Tyler quite deliberately gives the female flight attendant who bends in front of him, "The Crotch" instead.

David Fincher sought out Radiohead to provide the music score but Thom Yorke was suffering from exhaustion following the promotion of the band's album, "OK Computer".

Later at [] a smiley face burning into a building is shown on the TV news while members of project mayhem watch on TV in the house.

Tyler Durden and Marla are actually based off real people. Chuck Palahniuk wrote six of his friends into the story.

Johanna Schneller wrote in the Premiere profile about the Tyler from the real world: "'Tyler' is a carpenter with a penchant for trespassing; he leads forays into condemned buildings to salvage marble and fixtures.

Palahniuk is quoted as saying that his friend Tyler is "one of those neo-romantic people who think if the Y2K bug happens, we'll all be better off.

The friend that provided inspiration for Marla apparently had a wish back before Palahniuk was an acclaimed author, that if he ever got famous then he'd take her to meet Brad Pitt.

Years later, Brad Pitt was cast in this movie and Palahniuk was able to bring all six of his friends that inspired characters to the set.

He recalled, "So I was able to say, 'Tyler, this is Tyler'; 'Marla, this is Marla,' and everyone was really fascinated by one another.

In a interview with TOR , Palahniuk further described what his friends Tyler and Marla look like in real life while explaining the basis for "new looks" the characters will have in the forthcoming sequel.

Tyler apparently has "shoulder-length-Jesus blond hair" and Marla isn't "very much like Helena Bonham Carter's character. Art by Carlos Martz.

David Fincher said the movie's lighting is based on being inside a 7-Eleven in the middle of the night. David Fincher gave an in depth description to Film Comment in , about what inspirations went into creating the "Fight Club" look, most of which involved making things dirtier.

One popular convenience store was specifically named by the director:. We didn't want to be afraid of color, we wanted to control the color palette.

You go into 7-Eleven in the middle of the night and there's all that green-fluorescent. And like what green light does to cellophane packages, we wanted to make people sort of shiny.

There's a good chance Leonardo DiCaprio's dying breaths from "Titanic" were reused for the ice cave scene. It is unclear whether Leonardo DiCaprio's breath is exactly what was used in the ice cave scene.

That said, this Cinefex article did explicitly say "existing breath elements" from "Titanic" were used in "Fight Club" however and digital artist John Siczewicz is quoted as saying:.

After starting with those existing breath elements [from "Titanic"] we cut and pasted and dissolved until we had some animated breath that worked with the wind action within this ice tunnel.

Since either the camera or the actor was in motion for all of these shots, I had to track in the origin point for each breath. Once these swirly breaths blended in, the whole scene dropped sixty degrees.

In a interview with Film Comment , David Fincher explained how his movie relates to the pursuit of Mrs. It was talking about that moment in time when you have this world of possibilities, all these expectations, and you don't know who it is you're supposed to be.

And you choose this one path, Mrs. Robinson, and it turns out to be bleak, but it's part of your initiation, your trial by fire. And then, by choosing the wrong path, you find your way onto the right path, but you've created this mess.

And going along with that, the two saw "Fight Club" as a Buddhist movie. In a Premiere profile from , Norton talks about how he thinks his character's trajectory is grounded in Buddhism:.

In Buddhism there's Nirvana, and then there's Samsara, the world of confusion and disharmony. That world is our testing ground, where we have the experiences that help us become enlightened.

I'm not saying "Fight Club" is The Book of Living and Dying , but it was kind of that idea: You're challenging yourself to break out of the world.

Also, within a Film Comment interview, David Fincher talks about how the Narrator's journey through the movie is Buddhist although he doesn't know which Buddhist school of thought the philosophy comes from :.

I don't know if it's Buddhism, but there's the idea that on the path to enlightenment you have to kill your parents, your god, and your teacher The movie introduces [Norton's character] at the point when he's killed off his parents and he realizes that they're wrong.

But he's still caught up, trapped in this world he's created for himself. And then he meets Tyler Durden, and they fly in the face of God - they do all these things that they're not supposed to do, all the things that you do in your twenties when you're no longer being watched over by your parents, and end up being, in hindsight, very dangerous.

And then finally, he has to kill off this teacher, Tyler Durden. So the movie is really about that process of maturing.

Johanna Schneller writes in her Premiere profile of the movie that when talking to Pitt and Norton, the two actively tried to avoid talking about "Fight Club.

Eventually they tell me that, yes, they're here to talk about 'Fight Club,' but they don't actually want to talk about it. As an aside, Schneller wrote, " Oh, I get it -- in the subversive spirit of 'Fight Club,' they've decided to deconstruct the magazine interview.

Eventually, after the two actors and her go back and forth for awhile about whether they should talk about "Fight Club," Pitt challenges Schneller, saying, "You tell us what ["Fight Club's"] about.

Image: Fight Club Facebook. In her profile for Premiere , Johanna Schneller writes that the first time Norton fully smiles during the interview is when he starts recounting the ridiculous simplification him and Pitt would use to describe "Fight Club.

These single frames were then edited together and enhanced with CG, as both Brad Pitt and Helena Bonham Carter were fully clothed in motion capture suits during the shoot.

Only one element of the shot which is real is the spurt of blood coming out of his mouth, everything else is CG. According to director David Fincher, there are almost 4 million separately animated digital elements in the shot.

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FIGHT CLUB - Tyler Durden and Marla Singer

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